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Michael Billington is the Guardian's theatre critic

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  • 4 out of 5
    Dec 5 2008:

    Menier Chocolate Factory, London
    A production that confirms Sondheim's peerless skill as a musical dramatist, writes Michael Billington

  • 3 out of 5
    Dec 3 2008:

    Savoy, London
    Michael Billington enjoys a satisfying revival of a thoroughbred musical that falls only at the final hurdle

  • Dec 3 2008:

    Michael Billington: British theatres are now troublingly dependent on US imports. Why have we grown so besotted?

  • 3 out of 5
    Dec 2 2008:

    Royal Court, London
    Michael Billington finds a fascinating contradiction at the heart of this promising debut by Alexi Kaye Campbell

  • 3 out of 5
    Dec 2 2008:

    Finborough, London
    There are some fine performances from a 26-strong cast, writes Michael Billington

  • 3 out of 5
    Drew Caiden as Loki and Billy Carter as Serena in Wig Out, Royal Court, London Dec 1 2008:

    The Court has been turned into a catwalk-dominated club, says Michael Billington, but the play's real issues are too often side-stepped

  • 3 out of 5
    Nov 28 2008:

    Almeida, London
    The theatre becomes an analyst's couch in Neil LaBute's latest, writes Michael Billington

  • 4 out of 5
    Nov 27 2008:

    Lyttelton theatre, London
    Tracy Letts's demolition of an unhappy American family satisfies a hunger for big theatrical experiences, says Michael Billington

  • Michael Grandage, artistic director of the Donmar Nov 25 2008:

    Michael Billington: The Standard's panel of judges rewarded an outstanding year at the Donmar. Just what is it that makes Michael Grandage's theatre so special?

  • Nov 21 2008:

    Our critics select the best performances this Christmas, from star-studded panto to serious theatre

  • 2 out of 5
    Nov 20 2008:

    New London Theatre, London
    Warsaw ghetto, the musical? It's just too hard for Michael Billington to imagine

  • 3 out of 5
    The Tragedy of Thomas Hobbes Nov 19 2008:

    Wilton's, London
    This is a Leviathan of a play, neither brutish nor short, writes Michael Billington

  • Nov 19 2008:

    TS Eliot's complex plays about guilt and denial once drew West End crowds. Can they do so today? On the eve of a revival, Michael Billington celebrates a daring dramatist

  • 2 out of 5
    Nov 18 2008:

    Theatre Royal Haymarket, London
    Keith Allen's crew demands a yo-ho-ho and a set of earplugs, writes Michael Billington

  • 3 out of 5
    Nov 15 2008:

    Soho, London
    Michael Billington on a cerebral analysis of our primal instincts

1-15 of 2148 for Michael Billington

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